LINGUOPRAGMATIC FEATURES OF FICTIONAL TEXTS: THE ROLE OF SPEECH ACTS

Authors

  • Khadjieva D.T. Ph.d. docent, Karakalpak state university

Abstract

Language in fictional texts serves not only as a medium for storytelling but also as a means of exploring complex character interactions and societal dynamics. This article examines the role of speech acts in shaping narrative depth and character relationships in English literature. By focusing on directives, expressives, and commissives, with examples from Pride and Prejudice, Great Expectations, and Jane Eyre, the analysis highlights how speech acts reflect personal motives and broader cultural norms, enriching the reader's engagement with the text

References

1. Austin, J. L. How to Do Things With Words. 2nd ed. Cambridge, MA: Harvard University Press, 1975.

2. J.R. Searle (1972) The Philosophy of Language, Oxford, Oxford University Press, pp.44–6.

3. Safarov, Sh. Pragmalingvistika. Tashkent, 2008.

4. Vanderveken, Daniel, and Susumu Kubo. “Introduction.” Essays in Speech Act Theory, John Benjamins, 2001, pp. 1–21.

5. Dickens, Charles. Great Expectations. Public domain.

6. Brontë, Charlotte. Jane Eyre. Public domain.

7. Nathaniel Hawthorne The Scarlet Letter. Public domain.

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Published

2024-11-27

How to Cite

Khadjieva D.T. (2024). LINGUOPRAGMATIC FEATURES OF FICTIONAL TEXTS: THE ROLE OF SPEECH ACTS. Hamkor Konferensiyalar, 1(7), 20–23. Retrieved from https://academicsbook.com/index.php/konferensiya/article/view/729